SHOWTIME®SPORTS DOCUMENTARY FILMS RELEASES OFFICIAL TRAILER AND POSTER ART FORTHE KINGS, AN IN-DEPTH LOOK AT THE BOXING GOLDEN AGE OF DURÁN, HAGLER, HEARNS AND LEONARD
Four-Part Documentary Series Premieres
Sunday, June 6 at 8 PM ET/PT
NEW YORK – May 21, 2021 – Showtime Sports Documentary Films has released the official trailer and poster art for the upcoming documentary THE KINGS, a four-part series chronicling the fierce rivalry between world champions and Boxing Hall of Famers known as the “Four Kings” – Roberto “Manos de Piedra” Durán, Marvelous Marvin Hagler, Thomas “The Hitman” Hearns, and Sugar Ray Leonard. Premiering Sunday, June 6 at 8 p.m. ET/PT on SHOWTIME, the series chronicles the four fighters’ dramatic and divergent ascents to greatness and the legendary matches they produced.
THE KINGS spotlights boxing’s evolution from the end of Muhammad Ali’s era to the era of the Four Kings, set against the seismic political and socio-economic shifts taking place in the United States. The Four Kings rose to fame as the presidency of Jimmy Carter and economic recession gave way to the boon of 1980s capitalism and excess harnessed by the administrations of Ronald Reagan and George H.W. Bush. Through in-depth interviews and archival footage, the series also examines the very personal battles that each man waged on his unique journey to the center of the sports world.
THE KINGS is produced by Box To Box Film in association with Ingenious Media. The series is executive produced by James Gay-Rees (Amy, Senna, Drive To Survive) and Paul Martin (Diego Maradona, Drive To Survive), produced by Fiona Neilson (Oasis: Supersonic, Coldplay: A Head Full of Dreams) and directed by Mat Whitecross (Oasis: Supersonic, Road To Guantanamo, Coldplay: A Head Full of Dreams).
In recognition of Mental Health Awareness Month, BIPOLAR ROCK ’N’ ROLLER, a raw and revealing documentary chronicling the prolific combat-sports broadcaster Mauro Ranallo and his lifelong battle with mental illness, is available for free to non-subscribers on the SHOWTIME Sports YouTube channel.
In addition, BIPOLAR ROCK ‘N’ ROLLER and QUIET STORM: THE RON ARTEST STORY, a documentary film that shines a spotlight on the polarizing NBA star who was at times feared and often misunderstood both on and off the basketball court, will be available for subscribers on all SHOWTIME ON DEMAND and SHOWTIME streaming service platforms during the month of May.
SHOWTIME Sports will also support mental health awareness throughout the month across all social media platforms with a range of informative, insightful and inspiring content from both documentaries as well as from other original SHOWTIME Sports programming including ALL THE SMOKE WITH MATT BARNES AND STEPHEN JACKSON.
BIPOLAR ROCK ‘N’ ROLLER explores Ranallo’s career, including his work on the two biggest pay-per-view events in television’s history, and his relentless pursuit of a childhood dream despite seemingly insurmountable odds. Through this deeply personal and unflinching portrait, Ranallo, who struggles with Bipolar Affective Disorder, hopes to inspire others to persevere in pursuing their dreams despite the challenges of a mental health condition. The film premiered on SHOWTIME during Mental Health Awareness Month in May 2018.
Four-Part Documentary Series Chronicling The Rivalry and The Era
of Durán, Hagler, Hearns, and Leonard
Premieres Sunday, June 6, at 8 p.m. ET/PT
Exclusively on SHOWTIME
Photo credit: The Ring Magazine via Getty Images
NEW YORK – April 15, 2021 – From 1980 through 1989, four great champions and future Hall of Famers raised the level of their sport. It was boxing at its best, at its most enthralling. Over the span of one glorious decade, they fought each other nine times. Roberto “Manos de Piedra” Durán, Marvelous Marvin Hagler, Thomas “The Hitman” Hearns, and Sugar Ray Leonard, known collectively as the “Four Kings,” formed a fierce rivalry and arguably the greatest period in the history of the sport.
SHOWTIME SPORTS DOCUMENTARY FILMS will be presenting THE KINGS, a four-part series chronicling the four fighters’ dramatic and divergent ascents to greatness and the legendary matches they produced. They dominated an era of their own creation, but not each other. The weekly series premieres on Sunday, June 6 at 8 p.m. ET / PT on SHOWTIME, with all episodes being made available across the network’s on-demand and streaming platforms at premiere.
Today marks the 36th anniversary of the epic middleweight championship battle between Hagler and Hearns. Long considered the high-water mark of the Four Kings era, Hagler-Hearns stands out for the drama and brutal non-stop action that was compressed into just over eight minutes from start to finish. The fight and the opening stanza were consensus Fight of the Year and Round of the Year, respectively, but many consider both as one of, if not the, all-time best in their respective categories.
Below, please find the observations and recollections of those who covered that fight, many who are featured in THE KINGS.
“I remember the week of the fight, Hagler wore a baseball hat with ‘WAR’ on the front, and I thought, ‘eh, the usual pre fight hype’, until the first bell, then I said, “WOW, Hagler was right.”
– Teddy Atlas, Hall of Fame trainer and boxing analyst
“I covered the fight as a columnist for The New York Times. Here was my lead: Until Thomas Hearns fell, with the assistance of a smashing right to the face by Marvelous Marvin Hagler, and was ruled the loser at 2:01 of the third round, hardly a second passed that one of the fighters wasn’t throwing and landing a stunning blow.”
– Ira Berkow, ringside for The New York Times
“The excitement at the outdoor arena at Caesars Palace was palpable. As I sat ringside I did something I now do regularly before a match. When both Hagler and Hearns had entered and were in the ring I took my headsets off just to feel the emotion of the crowd better. I wanted to live that moment. Now, I do that before every big match just before it begins. At the end of the first round, I said on the telecast, ‘This is one of the best rounds in middleweight boxing history.’ I may have been underselling it.”
– Al Bernstein, SHOWTIME Boxing analyst /ringside, called the fight as part of the live closed-circuit telecast team
“I knew trouble was brewing when in the last leg of their nationwide press tour, Marvin stuck dinner napkins in both ears as Tommy stood to continue three weeks of boasting about a third-round knockout. ‘He’s half right,’ Hagler later groused. The first round sucked the air out of the arena and the finish was Hagler’s violent response to all the forces he believed had tried to deny him greatness his whole career. Marvin took all his frustrations out on poor Tommy and left him in a heap on the floor, broken like an old beach chair.”
– Ron Borges, ringside for the Boston Globe
“I was sitting first-row ringside that night next to Ed Schuyler Jr., the great AP boxing writer. We were anticipating a good fight, but we had no idea how good. The bell rang and suddenly Hagler and Hearns were fighting in a fury that was hard to comprehend and just as hard to describe. When the round ended, I remember looking at Schuyler shaking my head, not saying a word, and he did the same to me back. It was like ‘What did we just see?’ I’ve seen thousands of fights, but to this day that three minutes of mayhem is forever etched in my mind. No need to watch the old video, I remember it almost punch by punch. Greatest first round ever, and top five in greatest fights I’ve ever covered.”
– Tim Dahlberg, ringside for the Associated Press
“A wise old journalist once told me, ‘If you’re covering a fight, or anything for that matter, that’s truly sensational, don’t try to write it that way. Underplay it.’ I think of that advice whenever anybody mentions Hagler-Hearns. For fight fans, it was invigorating, inspiring, incredible – everything we could ever hope for. For fight writers, it was a bit different. How could we describe that first round without overstepping our bounds? Sometimes it’s easier being a fan.”
– Steve Farhood, SHOWTIME Boxing analyst / Covered the fight as senior writer for KO magazine
“I will always remember sitting in the truck, as the producer of the telecast, and telling Marc Payton, the director, to stick with the hand-held camera in the last minute of the first round, mesmerized that they had planted themselves in front of that camera. It was the longest three minutes of action in my entire career. I turned to Marc at the end of the round and just asked, ‘What the hell was that?’ It was actually a more emphatic expletive than that.”
– Ross Greenburg, executive producer of the fight telecast
“At the end of the first round I was literally speechless. The action had been so incredibly intense – they had attacked each other with the kind of ferocity you only see in a horror movie – that I had watched it all with my mouth wide open, and in the dry desert air my mouth had become completely bone dry, so I was unable to get a word out when Ian Darke asked me for my comment. Eventually I managed to say, ‘That’s the greatest round of boxing I’ve ever seen.’ And all these years later, it still remains so.”
– Colin Hart, ringside for The Sun and BBC Radio
“Whenever I’m asked to name the most exciting sporting event I ever attended, I respond, ‘Hagler-Hearns.’ Never do I have to explain.”
– Barry Horn, ringside for the Dallas Morning News
“Greatest first round in the history of boxing at any weight. Hearns hits him with the best right hand he ever threw, wobbles him, opens a cut on his forehead but two rounds later Marvin fights off the blood and knocks him out. Seventy years covering boxing and I never saw anything like it.”
– Jerry Izenberg, ringside for The Star-Ledger
“Being at ringside for the eight minutes of fury known as the Marvin Hagler-Thomas Hearns fight was as close as anyone could come to understanding the days of gladiators in the Roman Colosseum. The first round was all-out warfare with both fighters exchanging their best power shots. Hearns tried to box in the second, but Hagler wouldn’t let him, and when the blood started pouring from a cut on Hagler’s forehead in the third and there was a danger the fight might be stopped, Hagler later said, ‘It turns me on, the monster comes out.’ Boy, did it! I never will forget the image of one of Hearns’ handlers cradling him like a child and carrying him to the corner, which is why I led with that picture. Easily the most savage boxing match I’ve witnessed between two all-time greats.”
– Greg Logan, ringside for Newsday
“Although the action and drama lasted eight-plus breathless minutes, it actually was over in the first minute or so when KO star Hearns landed a flush right and Hagler didn’t blink. It was then I realized that Hagler, normally a patient stalker, had signaled his intention to use his middleweight strength to challenge a big welterweight by pounding his chest defiantly just before the opening bell rang. A night and fight to remember.”
– Larry Merchant, ringside commentator for delay telecast
“Obviously the greatest round of boxing I’ve ever seen, let alone called. One of those moments that you knew the magnitude of as it was happening. That first round felt like it was a half hour long.”
– Barry Tompkins, SHOWTIME Boxing analyst / ringside to call the delay fight telecast
“I didn’t know what to expect since it was my first time watching a fight at a movie theater. Whites and Blacks in Memphis only socialized around sports back then. It was a mixed crowd in the theater, but the same reaction: pure joy and excitement. Everyone stood throughout the entire fight. It was violent, courageous, and thrilling.”
– George Willis, covering from a closed-circuit outlet in Memphis for The Commercial Appeal
“I covered that fight, and many others, for The Detroit News. I’ll never forget the absolute savagery in the way Hearns and Hagler went at each other from the opening bell, and the way the crowd roared with every punch. One telling moment: Hearns connected with a wicked left hook that turned Hagler half around from the force of the punch — but never fazed him. It has been called the greatest short fight in history, and that stands up to this day. The first round set the tone. I remember after the fight someone asked Larry Merchant of HBO how he scored that first round. ‘I gave them both 11,’ he replied. That said it all.”
– Mike O’Hara, ringside for The Detroit News
“My memory of the first round: action so immediate and reckless that spectators were left breathless. So were the reporters at ringside. I was there for the Boston Globe, and I remember the veteran scribes who sat paralyzed after the bell, unable to type or scratch notes, me included. A deep gash opened above Hagler’s right eye, and Hearns’ right hand fractured. In the third round, with blood running down Hagler’s nose, the referee stopped the bout and asked Hagler if he could continue. Hagler snapped: ‘I’m not missing him, am I?’ When the bout resumed Hagler attacked quickly, bounced three long rights off of Hearns’ head, and watched him twist downward to the canvas.”
– Steve Marantz, ringside for the Boston Globe
“I remember how difficult it was, on a tight deadline, to give justice to that spectacular first round. How many superlatives could I pack into the story without inducing nausea? Hagler quietly, confidently selling the fight – simply, wearing a cap with ‘War’ emblazoned on the front. Then that nail-hard infantryman, coming, always coming after Hearns. Hearns out on his feet, chin on referee Richard Steele’s shoulder and then carried to his corner. I can still hear the crowd roaring throughout the short fight, knowing all of us were witnessing a brawl for the ages.”
– John Phillips, ringside for Reuters
“What I remember about this war was there was no feeling (each other) out, they just came out slugging from the opening bell! It was so loud outside at Caesars Palace, the most iconic venue, that made this fight even more special. I wish more fights were outside. I also thought that Referee Richard Steele did a great job and just let them fight!”
– Marc Ratner, Nevada State Athletic Commission Inspector for Hagler-Hearns
“Hagler-Hearns was the first major fight I covered and the first time I was ever in Las Vegas. I was there to do sidebars and run quotes for Greg Logan, who was doing the main story for Newsday. I got a seat in press row when press row was truly ringside, literally within 10 feet of the ring apron. And after the incredible first round, I was on my feet, my legs quivering, when I noticed all the other older, more grizzled reporters were standing too, stunned by what we all had just seen. At that moment, Eddie Schuyler of the AP turned to me and deadpanned in that sardonic manner of his, ‘You know, kid, they aren’t all like this.’ He turned out to be right. Over the next 38 years and who knows how many first rounds, I have yet to see another one like that.”
– Wally Matthews, ringside for Newsday
THE KINGS is produced by Box To Box Film in association with Ingenious Media. The series is executive produced by James Gay-Rees (Amy, Senna, Drive To Survive) and Paul Martin (Diego Maradona, Drive To Survive), produced by Fiona Neilson (Oasis: Supersonic, Coldplay: A Head Full of Dreams) and directed by Mat Whitecross (Oasis: Supersonic, Road To Guantanamo, Coldplay: A Head Full of Dreams).
Showtime Networks Inc. (SNI), a wholly owned subsidiary of ViacomCBS Inc., owns and operates the premium service SHOWTIME®, which features critically acclaimed original series, provocative documentaries, box-office hit films, comedy and music specials and hard-hitting sports. SHOWTIME is available as a stand-alone streaming service across all major streaming devices and Showtime.com, as well as via cable, DBS, telco and streaming video providers. SNI also operates the premium services THE MOVIE CHANNEL™ and FLIX®, as well as on demand versions of all three brands. SNI markets and distributes sports and entertainment events for exhibition to subscribers on a pay-per-view basis through SHOWTIME PPV®. For more information, go to www.SHO.com.
Sunday, June 6 at 8 p.m. ET/PT Exclusively on SHOWTIME
Photos: [L-R] Stephen Green-Armytage; Michael Brennan; Getty Images; Getty Images
NEW YORK – April 12, 2021 –In boxing, it is said that styles make fights. From 1980 through 1989, it was the style of four great fighters that not only made legendary fights, it ushered in a boxing renaissance. The fierce rivalry between world champions and future Hall of Famers known as the “Four Kings” – Roberto “Manos de Piedra” Durán, Marvelous Marvin Hagler, Thomas “The Hitman” Hearns, and Sugar Ray Leonard – produced a Golden Age defined by the nine world championship fights between them and solidified their place among the greatest to ever live.
SHOWTIME SPORTS DOCUMENTARY FILMS today announced THE KINGS, a four-part series chronicling the four fighters’ dramatic and divergent ascents to greatness and the legendary matches they produced. The weekly series premieres on Sunday, June 6 at 8 p.m. ET /PT on SHOWTIME, with all episodes being made available across the network’s on-demand and streaming platforms at premiere.
THE KINGS spotlights boxing’s evolution from the end of Muhammad Ali’s era to the era of the Four Kings, set against the seismic political and socio-economic shifts taking place in the United States. The Four Kings rose to fame as the presidency of Jimmy Carter and economic recession gave way to the boon of 1980s capitalism and excess harnessed by the administrations of Ronald Reagan and George H.W. Bush. Through in-depth interviews and archival footage, the series also examines the very personal battles that each man waged on his unique journey to the center of the sports world.
“These four men defined an era in boxing,” said Stephen Espinoza, President, SHOWTIME Sports. “Their individual stories, forever linked by the spectacular battles they waged, reflect a tumultuous period in American culture and history. THE KINGS takes the viewer beyond the glorious action of some of history’s most memorable prizefights to illuminate each man’s dramatic journey and the societal context that made them stars of sports and popular culture.”
Following a brief fallow period in the wake of Ali’s retirement, boxing was revitalized when Leonard became a world champion in 1979 and waged his first battle with Durán in 1980. From that point, the Four Kings engaged in a decade-long run of riveting fights that far outperformed any other sport in attention and revenue. They were the most popular stars of sports and American culture.
From 1979 through 1985, as a mark of their incredible achievements, the Boxing Writers Association of America bestowed these men the coveted title of “Fighter of the Year” annually with the lone exception of 1982 – with Leonard, Hagler and Hearns each winning twice. In the nine world title fights between them, there were four knockouts and three of the bouts were recognized by The Ring magazine as “Fight of the Year.” The Ring magazine “Round of the Year” (and to many, the round of all time) from round one of Hagler-Hearns is, perhaps, the most iconic single round of boxing of all time. Fittingly, THE KINGS premieres in the 45th anniversary year of Leonard winning an Olympic gold medal, and the 40th anniversary year of the welterweight world title unification battle between Leonard and Hearns, widely considered their greatest fight and a symbol of the era.
THE KINGS is produced by Box To Box Film in association with Ingenious Media. The series is executive produced by James Gay-Rees (Amy, Senna, Drive To Survive) and Paul Martin (Diego Maradona, Drive To Survive), produced by Fiona Neilson (Oasis: Supersonic, Coldplay: A Head Full of Dreams) and directed by Mat Whitecross (Oasis: Supersonic, Road To Guantanamo, Coldplay: A Head Full of Dreams).
Showtime Networks Inc. (SNI), a wholly owned subsidiary of ViacomCBS Inc., owns and operates the premium television networks SHOWTIME®, THE MOVIE CHANNEL™ and FLIX®, and also offers SHOWTIME ON DEMAND®, THE MOVIE CHANNEL™ ON DEMAND and FLIX ON DEMAND®, and the network’s authentication service SHOWTIME ANYTIME®. Showtime Digital Inc., a wholly owned subsidiary of SNI, operates the stand-alone streaming service SHOWTIME®. SHOWTIME is currently available to subscribers via cable, DBS, and telco providers, and as a stand-alone streaming service through Amazon, Apple®, Google, LG Smart TVs, Oculus Go, Roku®, Samsung Smart TVs, Xbox One and PlayStation®4. Consumers can also subscribe to SHOWTIME via Amazon’s Prime Video Channels, Apple TV Channels, AT&T TV Now, FuboTV, Hulu, The Roku Channel, Sling TV and YouTube TV. Viewers can also watch on computers at Showtime.com. SNI markets and distributes sports and entertainment events for exhibition to subscribers on a pay-per-view basis through SHOWTIME PPV®. For more information, go to www.SHO.com.
RINGSIDE Chronicles The Lives And Struggles Of Two Boxing Prodigies Coming Of Age On Chicago’s South Side
Premieres On Friday, June 12 At 8:30 p.m. ET/PT on SHOWTIME
NEW YORK – May 4, 2020 – SHOWTIME announced today it has acquired rights to the award-winning documentary RINGSIDE, which chronicles the dramatic upbringing of two boxing prodigies and follows the divergent paths they take as they navigate life’s uncertainties on the South Side of Chicago. Filmed over the course of nine years by award-winning director Andre Hörmann, RINGSIDE will premiere on SHOWTIME on Friday, June 12 at 8:30 p.m. ET/PT.
Winner of the Silver Hugo Award at the Chicago International Film Festival, RINGSIDE documents the lives of Kenneth Sims Jr., Destyne Butler Jr., and their dedicated fathers who train them, and their aspirations of surviving one of the most dangerous neighborhoods in the nation to achieve boxing glory. Hörmann teamed up with award-winning cinematographer Tom Bergmann and editor Vincent Assmann in 2009 to begin following the gifted young athletes. Starting with their U.S. Olympic® Boxing Team Trials, the filmmakers captured pivotal moments over nine years as the young men’s choices and circumstances changed, leading them down separate paths – one towards a promising boxing career and the other through the prison system.
“Filmed over the course of nine years, RINGSIDE is a complex, emotional account of two youths fighting to survive both professionally and personally,” said Stephen Espinoza, President, Sports and Event Programming, Showtime Networks Inc. “This remarkable film follows two gifted young boxers and the fathers who guide them, as they strive to overcome a seemingly never-ending series of personal and societal obstacles. The result is a moving story about hope, ambition, self-discipline, resilience and redemption. It is this type of provocative story, at the intersection of sports and society, that has become the hallmark of SHOWTIME Sports Documentary Films.”
Both young men achieved remarkable success in their amateur careers. Sims amassed over 250 amateur fights, winning numerous national titles, and after his professional debut in 2014, became a sought-after sparring partner for Manny Pacquiao and Jorge Linares among others. He has made four appearances on the SHOWTIME prospect developmental series ShoBox: The New Generation to date. Conversely, Butler fell in with a burglary ring and served time in prison. He returned to boxing following his release in 2018, winning the Chicago Golden Gloves. He now stands undefeated following nine professional bouts.
A Sutor Kolonko and Motto Pictures production in association with Blue Ice Docs and Mitten Media, RINGSIDE is produced by two-time Academy Award® nominee and Emmy® Award winner Julie Goldman, Emmy Award winner Ingmar Trost and Emmy and Peabody Award winner Christopher Clements. The executive producers are Ken Pelletier, Mark Mitten and Carolyn Hepburn.
RINGSIDE is the latest in culturally relevant unscripted programming from SHOWTIME SPORTS DOCUMENTARY FILMS that spotlights contemporary subject matter. New customers who sign up on SHOWTIME.com and the SHOWTIME app can take advantage of a 30-day free trial for the SHOWTIME streaming service, available on SHOWTIME.com and the SHOWTIME app on all supported devices.
Showtime Networks Inc. (SNI), a wholly owned subsidiary of ViacomCBS Inc., owns and operates the premium television networks SHOWTIME®, THE MOVIE CHANNEL™ and FLIX®, and also offers SHOWTIME ON DEMAND®, THE MOVIE CHANNEL™ ON DEMAND and FLIX ON DEMAND®, and the network’s authentication service SHOWTIME ANYTIME®. Showtime Digital Inc., a wholly owned subsidiary of SNI, operates the stand-alone streaming service SHOWTIME®. SHOWTIME is currently available to subscribers via cable, DBS, and telco providers, and as a stand-alone streaming service through Amazon, Apple®, Google, LG Smart TVs, Oculus Go, Roku®, Samsung Smart TVs and Xbox One. Consumers can also subscribe to SHOWTIME via Amazon’s Prime Video Channels, Apple TV Channels, AT&T TV Now, FuboTV, Hulu, The Roku Channel, Sling TV and YouTube TV. Viewers can also watch on computers at Showtime.com. SNI markets and distributes sports and entertainment events for exhibition to subscribers on a pay-per-view basis through SHOWTIME PPV®. For more information, go to www.SHO.com.
Former Amateur Standout Featured in Film CRADLE OF CHAMPIONS, Premiering September 21 on SHOWTIME at 8 p.m. ET/PT Prior to ShoBox: The New Generation Telecast 9:45 p.m. ET/PT
NEW YORK – September 12, 2018 – Undefeated super featherweight and former amateur standout James Wilkins will make his live television debut on ShoBox: The New Generation on Friday, September 21 immediately following the SHOWTIME premiere of CRADLE OF CHAMPIONS, a documentary chronicling Wilkins and the 2015 New York Golden Gloves boxing tournament. Wilkins will face undefeated featherweight prospect Misael Lopez (8-0, 4 KOs) in the opening bout of what is now a four-fight ShoBox telecast. The back-to-back programs will begin at 8 p.m. ET/PT with CRADLE OF CHAMPIONS airing before the live ShoBox telecast at 9:45 p.m. ET/PT from Firelake Arena in Shawnee, Okla.
Wilkins, of New York City, has five wins and five knockouts since turning professional two years ago following an accomplished amateur run. CRADLE OF CHAMPIONS documents one of the pinnacle moments of his amateur career as the Staten Island native fights through the 10-week tournament in hopes of establishing himself as an elite amateur prospect. Having already won the New York Golden Gloves in 2013 at 123 pounds, CRADLE OF CHAMPIONS chronicles Wilkins’ journey as a 19-year-old competing in the 132-pound class and culminates with a dramatic 2015 championship bout.
“I’m honored to be a part of CRADLE OF CHAMPIONS,” the 22-year-old Wilkins said. “Fighting in the Golden Gloves was a life-changing experience for me and it’s a great feeling to know that boxing fans can watch the documentary on SHOWTIME and then watch my ShoBox debut right after.”
“They call me ‘Crunchtime’ and that’s what I’m bringing to ShoBox on September 21. I’ll be ripping and running and I look forward to putting on a spectacular performance against Misael Lopez.”
Wilkins, who counts former four-division champion Roy Jones Jr. and former two-division champion Paulie Malignaggi as mentors, fought his way to the 2016 Olympic Trails in what was his last amateur tournament. His professional debut came in June of 2016 when he defeated Jack Grady via second-round knockout in a super lightweight contest.
In Friday’s main event, undefeated super featherweight prospect Jon Fernandez (16-0, 14 KOs) will clash with O’Shaquie Foster (13-2, 8 KOs) in a 10-round super featherweight bout. In the eight-round co-featured bouts, Irvin Gonzalez Jr. (10-0, 9 KOs) meets Carlos Ramos (9-0, 6 KOs) in a featherweight matchup, and Wesley Ferrer (12-0-1, 7 KOs) will face Steven Ortiz (8-0, 3 KOs) in a battle of lightweights.
Presented by DiBella Entertainment, tickets for the event are priced at $60 for ringside, $40 for floor seats and $30 for general admission and can be purchased in advance.
NEW YORK – August 27, 2018 – SHOWTIME has acquired the television rights to CRADLE OF CHAMPIONS, a documentary film that takes viewers through the New York Golden Gloves tournament, one of the most prestigious amateur boxing tournaments in the country. Written and directed by journalist Bartle Bull, the film will premiere Friday, September 21 at 8 p.m. ET/PT on SHOWTIME.
CRADLE OF CHAMPIONS chronicles three inspiring fighters—James Wilkins, Nisa Rodriguez, and Titus Williams—as they navigate the 10-week tournament and fight their way among 500 boxers from the five boroughs, all vying for the coveted title of Golden Gloves champion. Through the three intertwined yet unique narratives, the film explores the pressures and sacrifices on the arduous journey toward boxing greatness.
Shot in a cinema verité-style with no voice-over narration, the character-driven narrative examines what it means to “fight for your life,” not only for the boxers, but also for their coaches, mentors, teammates and loved ones. CRADLE OF CHAMPIONS includes genuine characters and intimate revelations set against the gritty urban landscape of New York City to create a powerful and layered account of the 2015 tournament.
The film follows Williams and Wilkins as they battle through opposite sides of the 132-pound bracket. Williams is the tournament favorite on the brink of professional success. He is mentored by coach Joe Higgins, a retired New York City firefighter suffering from illnesses sustained during rescue and recovery efforts at the World Trade Center in the aftermath of the September 11, 2001 terrorist attacks. Wilkins, a Staten Island native who channels his propensity for fighting into an amateur career, aims to beat Williams and establish himself as a prospect to watch as he turns to the professional ranks. Meanwhile, single mother and teacher Rodriquez—a five-time Golden Glove champion and self-proclaimed, “fighting pride of the South Bronx”—attempts to cement her legacy as she sets her sights on the 2016 Olympic Trials.
CRADLE OF CHAMPIONS is Bull’s first endeavor into documentary filmmaking. A New York based author and journalist by trade who specializes in foreign affairs and the Middle East, Bull has appeared on NPR, Fox News, BBC, and other news outlets, and his work has been featured in New York Times, Washington Post, and Wall Street Journal.
CRADLE OF CHAMPIONS is executive produced by Donald Rosenfeld (Tree of Life, Jodorowsky’s Dune, Remains of the Day) and written and directed by Bull, in association with cinematographer Tom Hurwitz (The Queen of Versailles) and editor Michael Levine (Restrepo). The film was an official selection at the 2017 American Documentary Film Festival, the 2017 Santa Barbara International Film Festival and Doc NYC 2017.CRADLE OF CHAMPIONS was named Best Feature at the 2017 Big Sky Documentary Film Festival.
