ALTURA DE COMEZAR®SPORTS DOCUMENTARY FILMS RELEASES OFFICIAL TRAILER AND POSTER ART FORTHE KINGS, AN IN-DEPTH LOOK AT THE BOXING GOLDEN AGE OF DURÁN, HAGLER, HEARNS AND LEONARD
Four-Part Documentary Series Premieres
Domingo, Xuño 6 en 8 PM ET/PT
NOVA YORK - Maio 21, 2021 -Showtime Sports Documentary Films has released the official trailer and poster art for the upcoming documentaryTHE KINGS, a four-part series chronicling the fierce rivalry between world champions and Boxing Hall of Famers known as the “Four Kings” –Roberto “Manos de Piedra” Durán, Marvelous Marvin Hagler, Thomas “The Hitman” Hearns, eSugar Ray Leonard. Premiering Sunday, Xuño 6 en 8 p.m. ET / ES na canle Showtime, the series chronicles the four fighters’ dramatic and divergent ascents to greatness and the legendary matches they produced.
THE KINGSspotlights boxing’s evolution from the end of Muhammad Ali’s era to the era of the Four Kings, set against the seismic political and socio-economic shifts taking place in the United States. The Four Kings rose to fame as the presidency of Jimmy Carter and economic recession gave way to the boon of 1980s capitalism and excess harnessed by the administrations of Ronald Reagan and George H.W. Arbusto. Through in-depth interviews and archival footage, the series also examines the very personal battles that each man waged on his unique journey to the center of the sports world.
THE KINGSis produced by Box To Box Film in association with Ingenious Media. The series is executive produced by James Gay-Rees (Amy, Senna, Drive To Survive) and Paul Martin (Diego Maradona, Drive To Survive), produced by Fiona Neilson (Oasis: Supersonic, Coldplay: A Head Full of Dreams) and directed by Mat Whitecross (Oasis: Supersonic, Road To Guantanamo, Coldplay: A Head Full of Dreams).
In recognition of Mental Health Awareness Month, BIPOLAR ROCK ’N’ ROLLER, a raw and revealing documentary chronicling the prolific combat-sports broadcaster Mauro Ranallo and his lifelong battle with mental illness, is available for free to non-subscribers on theSHOWTIME Sports YouTube channel.
Alén, BIPOLAR ROCK ‘N’ ROLLEReQUIET STORM: THE RON ARTEST STORY, a documentary film that shines a spotlight on the polarizing NBA star who was at times feared and often misunderstood both on and off the basketball court, will be available for subscribers on all SHOWTIME ON DEMAND and SHOWTIME streaming service platforms during the month of May.
SHOWTIME Sports will also support mental health awareness throughout the month across all social media platforms with a range of informative, insightful and inspiring content from both documentaries as well as from other original SHOWTIME Sports programming includingALL THE SMOKE WITH MATT BARNES AND STEPHEN JACKSON.
BIPOLAR ROCK ‘N’ ROLLERexplores Ranallo’s career, including his work on the two biggest pay-per-view events in television’s history, and his relentless pursuit of a childhood dream despite seemingly insurmountable odds. Through this deeply personal and unflinching portrait, Ranallo, who struggles with Bipolar Affective Disorder, hopes to inspire others to persevere in pursuing their dreams despite the challenges of a mental health condition. The film premiered on SHOWTIME during Mental Health Awareness Month in May 2018.
Four-Part Documentary Series Chronicling The Rivalry and The Era
of Durán, Hagler, Hearns, and Leonard
Premieres Sunday, Xuño 6, en 8 p.m. ET / ES
Exclusively on SHOWTIME
Crédito da foto: The Ring Magazine via Getty Images
NEW YORK – April 15, 2021 – From 1980 A través dos 1989, four great champions and future Hall of Famers raised the level of their sport. It was boxing at its best, at its most enthralling. Over the span of one glorious decade, they fought each other nine times.Roberto “Manos de Piedra” Durán, Marvelous Marvin Hagler, Thomas “The Hitman” Hearns, e Sugar Ray Leonard,known collectively as the “Four Kings,” formed a fierce rivalry and arguably the greatest period in the history of the sport.
SHOWTIME SPORTS DOCUMENTARY FILMS will be presentingTHE KINGS, a four-part series chronicling the four fighters’ dramatic and divergent ascents to greatness and the legendary matches they produced. They dominated an era of their own creation, but not each other. The weekly series premieres on Sunday, Xuño 6 en 8 p.m. E / PT na canle Showtime, with all episodes being made available across the network’s on-demand and streaming platforms at premiere.
Today marks the 36th anniversary of the epic middleweight championship battle between Hagler and Hearns. Long considered the high-water mark of the Four Kings era, Hagler-Hearns stands out for the drama and brutal non-stop action that was compressed into just over eight minutes from start to finish. The fight and the opening stanza were consensus Fight of the Year and Round of the Year, respectivamente, but many consider both as one of, se nono,all-time best in their respective categories.
Abaixo, please find the observations and recollections of those who covered that fight, many who are featured inTHE KINGS.
“I remember the week of the fight, Hagler wore a baseball hat with ‘WAR’ on the front, e eu penso, ‘eh, the usual pre fight hype’, until the first bell, then I said, “WOW, Hagler was right.”
– Teddy Atlas,Hall of Fame trainer and boxing analyst
“I covered the fight as a columnist for The New York Times. Here was my lead: Until Thomas Hearns fell, with the assistance of a smashing right to the face by Marvelous Marvin Hagler, and was ruled the loser at 2:01 da terceira rolda, hardly a second passed that one of the fighters wasn’t throwing and landing a stunning blow.”
– Ira Berkow, ringside for The New York Times
“The excitement at the outdoor arena at Caesars Palace was palpable. As I sat ringside I did something I now do regularly before a match. When both Hagler and Hearns had entered and were in the ring I took my headsets off just to feel the emotion of the crowd better. I wanted to live that moment. Agora, I do that before every big match just before it begins. At the end of the first round, I said on the telecast, ‘This is one of the best rounds in middleweight boxing history.’ I may have been underselling it.”
– Al Bernstein, SHOWTIME Boxing analyst /arena, called the fight as part of the live closed-circuit telecast team
“I knew trouble was brewing when in the last leg of their nationwide press tour, Marvin stuck dinner napkins in both ears as Tommy stood to continue three weeks of boasting about a third-round knockout. ‘He’s half right,’ Hagler later groused. The first round sucked the air out of the arena and the finish was Hagler’s violent response to all the forces he believed had tried to deny him greatness his whole career. Marvin took all his frustrations out on poor Tommy and left him in a heap on the floor, broken like an old beach chair.”
– Ron Borges,ringside for the Boston Globe
“I was sitting first-row ringside that night next to Ed Schuyler Jr., the great AP boxing writer. We were anticipating a good fight, but we had no idea how good. The bell rang and suddenly Hagler and Hearns were fighting in a fury that was hard to comprehend and just as hard to describe. When the round ended, I remember looking at Schuyler shaking my head, not saying a word, and he did the same to me back. It was like ‘What did we just see?’ I’ve seen thousands of fights, but to this day that three minutes of mayhem is forever etched in my mind. No need to watch the old video, I remember it almost punch by punch. Greatest first round ever, and top five in greatest fights I’ve ever covered.”
– Tim Dahlberg,ringside for the Associated Press
“A wise old journalist once told me, ‘If you’re covering a fight, or anything for that matter, that’s truly sensational, don’t try to write it that way. Underplay it.’ I think of that advice whenever anybody mentions Hagler-Hearns. For fight fans, it was invigorating, inspiring, incredible – everything we could ever hope for. For fight writers, it was a bit different. How could we describe that first round without overstepping our bounds? Sometimes it’s easier being a fan.”
– Steve Farhood, SHOWTIME Boxing analyst / Covered the fight as senior writer for KO magazine
“I will always remember sitting in the truck, as the producer of the telecast, and telling Marc Payton, the director, to stick with the hand-held camera in the last minute of the first round, mesmerized that they had planted themselves in front ofque a cámara. It was the longest three minutes of action in my entire career. I turned to Marc at the end of the round and just asked, ‘What the hell was that?’ It was actually a more emphatic expletive than that.”
– Ross Greenburg, executive producer of the fight telecast
“At the end of the first round I was literally speechless. The action had been so incredibly intense – they had attacked each other with the kind of ferocity you only see in a horror movie – that I had watched it all with my mouth wide open, and in the dry desert air my mouth had become completely bone dry, so I was unable to get a word out when Ian Darke asked me for my comment. Eventually I managed to say, ‘That’s the greatest round of boxing I’ve ever seen.’ And all these years later, it still remains so.”
– Colin Hart, ringside for The Sun and BBC Radio
“Whenever I’m asked to name the most exciting sporting event I ever attended, I respond, ‘Hagler-Hearns.’ Never do I have to explain.”
– Barry Horn, ringside for the Dallas Morning News
“Greatest first round in the history of boxing at any weight. Hearns hits him with the best right hand he ever threw, wobbles him, opens a cut on his forehead but two rounds later Marvin fights off the blood and knocks him out. Seventy years covering boxing and I never saw anything like it.”
– Jerry Izenberg, ringside for The Star-Ledger
“Being at ringside for the eight minutes of fury known as the Marvin Hagler-Thomas Hearns fight was as close as anyone could come to understanding the days of gladiators in the Roman Colosseum. The first round was all-out warfare with both fighters exchanging their best power shots. Hearns tried to box in the second, but Hagler wouldn’t let him, and when the blood started pouring from a cut on Hagler’s forehead in the third and there was a danger the fight might be stopped, Hagler later said, ‘It turns me on, the monster comes out.’ Boy, did it! I never will forget the image of one of Hearns’ handlers cradling him like a child and carrying him to the corner, which is why I led with that picture. Easily the most savage boxing match I’ve witnessed between two all-time greats.”
– Greg Logan, ringside for Newsday
“Although the action and drama lasted eight-plus breathless minutes, it actually was over in the first minute or so when KO star Hearns landed a flush right and Hagler didn’t blink. It was then I realized that Hagler, normally a patient stalker, had signaled his intention to use his middleweight strength to challenge a big welterweight by pounding his chest defiantly just before the opening bell rang. A night and fight to remember.”
– Larry Merchant, ringside commentator for delay telecast
“Obviously the greatest round of boxing I’ve ever seen, let alone called. One of those moments that you knew the magnitude of as it was happening. That first round felt like it was a half hour long.”
– Barry Tompkins, SHOWTIME Boxing analyst / ringside to call the delay fight telecast
“I didn’t know what to expect since it was my first time watching a fight at a movie theater. Whites and Blacks in Memphis only socialized around sports back then. It was a mixed crowd in the theater, but the same reaction: pure joy and excitement. Everyone stood throughout the entire fight. It was violent, courageous, and thrilling.”
– George Willis, covering from a closed-circuit outlet in Memphis for The Commercial Appeal
“I covered that fight, e moitos outros, for The Detroit News. I’ll never forget the absolute savagery in the way Hearns and Hagler went at each other from the opening bell, and the way the crowd roared with every punch. One telling moment: Hearns connected with a wicked left hook that turned Hagler half around from the force of the punch — but never fazed him. It has been called the greatest short fight in history, and that stands up to this day. The first round set the tone. I remember after the fight someone asked Larry Merchant of HBO how he scored that first round. ‘I gave them both 11,’ he replied. That said it all.”
– Mike O’Hara,ringside for The Detroit News
“My memory of the first round: action so immediate and reckless that spectators were left breathless. So were the reporters at ringside. I was there for the Boston Globe, and I remember the veteran scribes who sat paralyzed after the bell, unable to type or scratch notes, me included. A deep gash opened above Hagler’s right eye, and Hearns’ right hand fractured. In the third round, with blood running down Hagler’s nose, the referee stopped the bout and asked Hagler if he could continue. Hagler snapped: ‘I’m not missing him, am I?’ When the bout resumed Hagler attacked quickly, bounced three long rights off of Hearns’ head, and watched him twist downward to the canvas.”
– Steve Marantz, ringside for the Boston Globe
“I remember how difficult it was, on a tight deadline, to give justice to that spectacular first round. How many superlatives could I pack into the story without inducing nausea? Hagler quietly, confidently selling the fight – simply, wearing a cap with ‘War’ emblazoned on the front. Then that nail-hard infantryman, coming, always coming after Hearns. Hearns out on his feet, chin on referee Richard Steele’s shoulder and then carried to his corner. I can still hear the crowd roaring throughout the short fight, knowing all of us were witnessing a brawl for the ages.”
– John Phillips, ringside for Reuters
“What I remember about this war was there was no feeling (each other) fóra, they just came out slugging from the opening bell! It was so loud outside at Caesars Palace, the most iconic venue, that made this fight even more special. I wish more fights were outside. I also thought that Referee Richard Steele did a great job and just let them fight!”
– Marc Ratner, Nevada State Athletic Commission Inspector for Hagler-Hearns
“Hagler-Hearns was the first major fight I covered and the first time I was ever in Las Vegas. I was there to do sidebars and run quotes for Greg Logan, who was doing the main story for Newsday. I got a seat in press row when press row was truly ringside, literally within 10 feet of the ring apron. And after the incredible first round, I was on my feet, my legs quivering, when I noticed all the other older, more grizzled reporters were standing too, stunned by what we all had just seen. At that moment, Eddie Schuyler of the AP turned to me and deadpanned in that sardonic manner of his, ‘You know, kid, they aren’t all like this.’ He turned out to be right. Over the next 38 years and who knows how many first rounds, I have yet to see another one like that.”
– Wally Matthews, ringside for Newsday
THE KINGSis produced by Box To Box Film in association with Ingenious Media. The series is executive produced by James Gay-Rees (Amy, Senna, Drive To Survive) and Paul Martin (Diego Maradona, Drive To Survive), produced by Fiona Neilson (Oasis: Supersonic, Coldplay: A Head Full of Dreams) and directed by Mat Whitecross (Oasis: Supersonic, Road To Guantanamo, Coldplay: A Head Full of Dreams).
Showtime Networks Inc. (SNI), a wholly owned subsidiary of ViacomCBS Inc., owns and operates the premium service SHOWTIME®, which features critically acclaimed original series, provocative documentaries, box-office hit films, comedy and music specials and hard-hitting sports. SHOWTIME is available as a stand-alone streaming service across all major streaming devices and Showtime.com, as well as via cable, DBS, telco and streaming video providers. SNI also operates the premium services THE MOVIE CHANNEL™ and FLIX®, as well as on demand versions of all three brands. SNI markets and distributes sports and entertainment events for exhibition to subscribers on a pay-per-view basis through SHOWTIME PPV®. Para obter máis información, ir awww.SHO.com.
Domingo, Xuño 6 en 8 p.m. ET/PT Exclusively on SHOWTIME
Fotos: [L-R] Stephen Green-Armytage; Michael Brennan; Getty Images; Getty Images
NEW YORK – April 12, 2021 -No boxeo, it is said that styles make fights. Desde 1980 A través dos 1989, it was the style of four great fighters that not only made legendary fights, it ushered in a boxing renaissance. The fierce rivalry between world champions and future Hall of Famers known as the “Four Kings” –Roberto “Manos de Piedra” Durán, Marvelous Marvin Hagler, Thomas “The Hitman” Hearns, e Sugar Ray Leonard– produced a Golden Age defined by the nine world championship fights between them and solidified their place among the greatest to ever live.
SHOWTIME SPORTS DOCUMENTARY FILMS today announcedTHE KINGS, a four-part series chronicling the four fighters’ dramatic and divergent ascents to greatness and the legendary matches they produced. The weekly series premieres on Sunday, Xuño 6 en 8 p.m. ET /PT on SHOWTIME, with all episodes being made available across the network’s on-demand and streaming platforms at premiere.
THE KINGSspotlights boxing’s evolution from the end of Muhammad Ali’s era to the era of the Four Kings, set against the seismic political and socio-economic shifts taking place in the United States. The Four Kings rose to fame as the presidency of Jimmy Carter and economic recession gave way to the boon of 1980s capitalism and excess harnessed by the administrations of Ronald Reagan and George H.W. Arbusto. Through in-depth interviews and archival footage, the series also examines the very personal battles that each man waged on his unique journey to the center of the sports world.
“These four men defined an era in boxing,"Dixo Stephen Espinoza, Presidente, Showtime Sports. “Their individual stories, forever linked by the spectacular battles they waged, reflect a tumultuous period in American culture and history.THE KINGStakes the viewer beyond the glorious action of some of history’s most memorable prizefights to illuminate each man’s dramatic journey and the societal context that made them stars of sports and popular culture.”
Following a brief fallow period in the wake of Ali’s retirement, boxing was revitalized when Leonard became a world champion in 1979 and waged his first battle with Durán in 1980. From that point, the Four Kings engaged in a decade-long run of riveting fights that far outperformed any other sport in attention and revenue. They were the most popular stars of sports and American culture.
Desde 1979 A través dos 1985, as a mark of their incredible achievements, the Boxing Writers Association of America bestowed these men the coveted title of “Fighter of the Year” annually with the lone exception of 1982 – with Leonard, Hagler and Hearns each winning twice. In the nine world title fights between them, there were four knockouts and three of the bouts were recognized byThe Ringmagazine as “Fight of the Year.” The Ringmagazine “Round of the Year” (and to many, the round of all time) from round one of Hagler-Hearns is, quizais, the most iconic single round of boxing of all time. Fittingly, THE KINGSpremieres in the 45th anniversary year of Leonard winning an Olympic gold medal, and the 40th anniversary year of the welterweight world title unification battle between Leonard and Hearns, widely considered their greatest fight and a symbol of the era.
THE KINGSis produced by Box To Box Film in association with Ingenious Media. The series is executive produced by James Gay-Rees (Amy, Senna, Drive To Survive) and Paul Martin (Diego Maradona, Drive To Survive), produced by Fiona Neilson (Oasis: Supersonic, Coldplay: A Head Full of Dreams) and directed by Mat Whitecross (Oasis: Supersonic, Road To Guantanamo, Coldplay: A Head Full of Dreams).
Showtime Networks Inc. (SNI), a wholly owned subsidiary of ViacomCBS Inc., posúe e opera as cadeas de televisión Showtime premio®, A canle de películas™ e Flix®, e tamén ofrece Showtime carta®, A canle de películas™ Demanda e Flix demanda®, e identificación servizo Showtime Anytime da rede®. Showtime Dixital Inc, a wholly owned subsidiary of SNI, opera o servizo de streaming de stand-alone canle Showtime®. SHOWTIME is currently available to subscribers via cable, DBS, and telco providers, and as a stand-alone streaming service through Amazon, Apple®, Google, Televisores intelixentes LG, Oculus Go, Ano®, Televisores intelixentes Samsung, Xbox One and PlayStation®4. Consumers can also subscribe to SHOWTIME via Amazon’s Prime Video Channels, Apple TV Channels, AT&T TV Now, FuboTV, Hulu, The Roku Channel, Sling TV and YouTube TV. Viewers can also watch on computers atShowtime.com. SNI comercializa e distribúe eventos deportivos e de entretemento para exposición aos abonados nunha base de pay-per-view través da canle Showtime PPV®. Para obter máis información, ir awww.SHO.com.
RINGSIDE Chronicles The Lives And Struggles Of Two Boxing Prodigies Coming Of Age On Chicago’s South Side
Premieres On Friday, Xuño 12 En 8:30 p.m. ET / ES na canle Showtime
NOVA YORK - Maio 4, 2020 -SHOWTIME announced today it has acquired rights to the award-winning documentaryRINGSIDE, which chronicles the dramatic upbringing of two boxing prodigies and follows the divergent paths they take as they navigate life’s uncertainties on the South Side of Chicago. Filmed over the course of nine years by award-winning director Andre Hörmann, RINGSIDEwill premiere on SHOWTIME on Friday, Xuño 12 en 8:30 p.m. ET / ES.
Winner of the Silver Hugo Award at the Chicago International Film Festival, RINGSIDEdocuments the lives of Kenneth Sims Jr., Destyne Butler Jr., and their dedicated fathers who train them, and their aspirations of surviving one of the most dangerous neighborhoods in the nation to achieve boxing glory. Hörmann teamed up with award-winning cinematographer Tom Bergmann and editor Vincent Assmann in 2009 to begin following the gifted young athletes. Starting with their U.S. Olympic®Boxing Team Trials, the filmmakers captured pivotal moments over nine years as the young men’s choices and circumstances changed, leading them down separate paths – one towards a promising boxing career and the other through the prison system.
“Filmed over the course of nine years, RINGSIDEis a complex, emotional account of two youths fighting to survive both professionally and personally,"Dixo Stephen Espinoza, Presidente, Sports and Event Programming, Showtime Networks Inc. “This remarkable film follows two gifted young boxers and the fathers who guide them, as they strive to overcome a seemingly never-ending series of personal and societal obstacles. The result is a moving story about hope, ambition, self-discipline, resilience and redemption. It is this type of provocative story, at the intersection of sports and society, that has become the hallmark of SHOWTIME Sports Documentary Films.”
Both young men achieved remarkable success in their amateur careers. Sims amassed over 250 loitas afeccionadas, winning numerous national titles, and after his professional debut in 2014, became a sought-after sparring partner for Manny Pacquiao and Jorge Linares among others. He has made four appearances on the SHOWTIME prospect developmental seriesShoBox: A Nova Xeración ata a data. Conversely, Butler fell in with a burglary ring and served time in prison. He returned to boxing following his release in 2018, winning the Chicago Golden Gloves. He now stands undefeated following nine professional bouts.
A Sutor Kolonko and Motto Pictures production in association with Blue Ice Docs and Mitten Media, RINGSIDEis produced by two-time Academy Award®nominee and Emmy®Award winner Julie Goldman, Emmy Award winner Ingmar Trost and Emmy and Peabody Award winner Christopher Clements. The executive producers are Ken Pelletier, Mark Mitten and Carolyn Hepburn.
RINGSIDEis the latest in culturally relevant unscripted programming from SHOWTIME SPORTS DOCUMENTARY FILMS that spotlights contemporary subject matter. New customers who sign up on SHOWTIME.com and the SHOWTIME app can take advantage of a 30-day free trial for the SHOWTIME streaming service, available on SHOWTIME.com and the SHOWTIME app on all supported devices.
Showtime Networks Inc. (SNI), a wholly owned subsidiary of ViacomCBS Inc., posúe e opera as cadeas de televisión Showtime premio®, A canle de películas™ e Flix®, e tamén ofrece Showtime carta®, A canle de películas™ Demanda e Flix demanda®, e identificación servizo Showtime Anytime da rede®. Showtime Dixital Inc, a wholly owned subsidiary of SNI, opera o servizo de streaming de stand-alone canle Showtime®. SHOWTIME is currently available to subscribers via cable, DBS, and telco providers, and as a stand-alone streaming service through Amazon, Apple®, Google, Televisores intelixentes LG, Oculus Go, Ano®, Samsung Smart TVs and Xbox One. Consumers can also subscribe to SHOWTIME via Amazon’s Prime Video Channels, Apple TV Channels, AT&T TV Now, FuboTV, Hulu, The Roku Channel, Sling TV and YouTube TV. Viewers can also watch on computers atShowtime.com. SNI comercializa e distribúe eventos deportivos e de entretemento para exposición aos abonados nunha base de pay-per-view través da canle Showtime PPV®. Para obter máis información, ir awww.SHO.com.
Antigo afeccionado destacado na película CRADLE OF CHAMPIONS, Estrea en setembro 21 en SHOWTIME ás 8 p.m. ET/PT Antes de ShoBox: Telecast de Nova Xeración 9:45 p.m. ET / ES
NOVA YORK – Setembro 12, 2018 - James Wilkins, invicto superpluma e ex destacado afeccionado, fará o seu debut televisivo en directo en ShoBox: A Nova Xeración o venres, Setembro 21 inmediatamente despois da estrea en SHOWTIME de CRADLE OF CHAMPIONS, un documental que narra a Wilkins e os 2015 Torneo de boxeo Golden Gloves de Nova York. Wilkins enfrontarase ao invicto prospecto peso pluma Misael López (8-0, 4 Kos) no combate inicial do que agora é unha transmisión televisiva de catro loitas de ShoBox. Os programas consecutivos comezarán ás 8 p.m. ET/PT con CRADLE OF CHAMPIONS emitindo antes da transmisión en directo de ShoBox ás 9:45 p.m. ET/PT do Firelake Arena en Shawnee, Okla.
Wilkins, da cidade de Nova York, leva cinco vitorias e cinco nocauts desde que se converteu en profesional hai dous anos despois dunha carreira de afeccionados. CRADLE OF CHAMPIONS documenta un dos momentos culminantes da súa carreira afeccionada mentres o nativo de Staten Island loita durante o torneo de 10 semanas coa esperanza de establecerse como un prospecto afeccionado de elite.. Xa gañou os luvas de ouro de Nova York en 2013 en 123 libras, CRADLE OF CHAMPIONS narra a viaxe de Wilkins como mozo de 19 anos competindo na clase de 132 libras e culmina cun dramático 2015 ataque do campionato.
"Estou honrado de formar parte de CRADLE OF CHAMPIONS,", dixo Wilkins, de 22 anos. "Loitar nas luvas de ouro foi unha experiencia que cambiou a vida para min e é un gran sentimento saber que os fanáticos do boxeo poden ver o documental en SHOWTIME e despois ver o meu debut en ShoBox inmediatamente despois".
“Chámanme 'Crunchtime'’ e iso é o que traio a ShoBox en setembro 21. Vou correndo e estou ansioso por facer unha actuación espectacular contra Misael López".
Wilkins, que conta o ex campión de catro divisións Roy Jones Jr. e a ex campioa de dúas divisións Paulie Malignaggi como mentores, pelexou o seu camiño cara ao 2016 Olympic Trails no que foi o seu último torneo de afeccionados. O seu debut profesional produciuse en xuño de 2016 cando derrotou a Jack Grady por nocaut na segunda rolda nun concurso de peso súper lixeiro.
No acto principal do venres, invicto prospecto superpluma Jon Fernández (16-0, 14 Kos) enfrontarase con O'Shaquie Foster (13-2, 8 Kos) nun combate súper pluma de 10 asaltos. Nos combates de oito asaltos, Irvin González Jr. (10-0, 9 Kos) coñece a Carlos Ramos (9-0, 6 Kos) nun enfrontamento de peso pluma, e Wesley Ferrer (12-0-1, 7 Kos) enfrontarase a Steven Ortiz (8-0, 3 Kos) nunha batalla de pesos lixeiros.
Presentado por DiBella Entertainment, as entradas para o evento teñen o prezo de $60 for ringside, $40 para asentos no chan e $30 para a entrada xeral e pódese mercar con antelación.
Nova York - agosto 27, 2018 - SHOWTIME adquiriu os dereitos de televisión para BERCE DE CAMPIÓNS, unha película documental que leva aos espectadores polo torneo Golden Gloves de Nova York, un dos torneos de boxeo afeccionado máis prestixiosos do país. Escrito e dirixido polo xornalista Bartle Bull, a película estrearase Venres, Setembro 21 en 8 p.m. ET / ES na canle Showtime.
BERCE DE CAMPIÓNS narra a tres loitadores inspiradores: James Wilkins, Nisa Rodriguez, e Titus Williams, mentres navegan polo torneo de 10 semanas e loitan entre eles 500 boxeadores dos cinco concellos, todos disputando o cobizado título de campión dos Luvas de Ouro. A través das tres narracións entrelazadas pero únicas, a película explora as presións e sacrificios na ardua viaxe cara á grandeza do boxeo.
Rodado nun cine verité-style sen narración de voz en off, a narración dirixida por personaxes examina o que significa "loitar pola túa vida,” non só para os boxeadores, pero tamén para os seus adestradores, mentores, compañeiros e seres queridos. BERCE DE CAMPIÓNS inclúe personaxes xenuínos e revelacións íntimas contra a paisaxe urbana de Nova York para crear un relato poderoso e en capas do 2015 torneo.
A película segue a Williams e Wilkins mentres loitan por lados opostos do soporte de 132 libras.. Williams é o favorito do torneo ao bordo do éxito profesional. Está orientado polo adestrador Joe Higgins, un bombeiro xubilado de Nova York que padeceu enfermidades sufridas durante os esforzos de rescate e recuperación no World Trade Center despois do 11, 2001 ataques terroristas. Wilkins, un nativo de Staten Island que canaliza a súa propensión á loita nunha carreira de afeccionado, pretende vencer a Williams e establecerse como un prospecto para ver como se dirixe ás filas profesionais. Entrementes, nai solteira e profesora Rodríguez, cinco veces campioa da Luva de Ouro e autoproclamada, "loitar contra o orgullo do sur do Bronx": tenta consolidar o seu legado mentres pon a vista no 2016 Olimpíadas.
BERCE DE CAMPIÓNS é o primeiro esforzo de Bull na realización de documentales. Autor e xornalista de profesión con sede en Nova York, especializado en asuntos exteriores e Oriente Medio, Bull apareceu en NPR, Fox News, BBC, e outros medios de comunicación, e o seu traballo apareceu en New York Times, Washington Post, e Wall Street Journal.
BERCE DE CAMPIÓNS é produtor executivo por Donald Rosenfeld (Árbore da Vida, A duna de Jodorowsky, Restos do día) e escrito e dirixido por Bull, en asociación co director de fotografía Tom Hurwitz (A raíña de Versalles) e o editor Michael Levine (Restrepo). A película foi unha selección oficial no 2017 Festival de Cine Documental Americano, o 2017 Santa Barbara International Film Festival e Doc NYC 2017.BERCE DE CAMPIÓNS foi nomeada Mellor longametraxe no 2017 Festival de Cine Documental Big Sky.